Forum | 06. February 2025
Forum of the Cultural Research Data Academy: "Music – Media – Cultural Heritage: Intersections between data, research and infrastructure"

Electronic devices and record media
"Pile of diverse electronic devices and record media." CC0 Creator: Belinda Fewings, Owner: Belinda Fewings
On 6th and 7th February 2025, the Cultural Research Data Academy of the NFDI4Culture consortium invites you to its next forum. The event will focus on the common challenges of the 4Culture communities of film and media studies and musicology in dealing with multimodal data from the cultural heritage sector. The forum, which will take place as a hybrid lunch-to-lunch format at the KreativInstitut.OWL (KIO) in Detmold, would like to offer a space for an exchange on challenges and problems in working with multimodal data. The aim is to encourage discussion about common formats, tools and interfaces in order to advance research and improve research data management across disciplines in a productive way. The planned inputs will therefore focus on the following topics, among others:
- Sound and image in newer digital / media cultural contexts;
- new challenges in dealing with research data, which are particularly relevant for media and film studies research projects, for film music research and for film heritage institutions;
- uniform standards for metadata, as well as an overview of heterogeneous film and film music collections, current information on tools and repositories that are essential for the sustainable handling of research data;
- Metadata on film music as an interface between (editorial) media and musicology;
- Use cases in the field of AI / generative music and media technologies;
- Legal aspects (copyright and performance protection rights in connection with complex multimodal/audiovisual and AI-generated data).
Registrations are welcome! https://events.nfdi4culture.de/e/mmk
Programme
Thur., 06.02.
1 pm: Arrival and Welcoming (Malte Hagener, Andreas Münzmay, Guido Falkemeier)
1:30 pm – 3 pm "(Infra-)Structures“ (Moderation: Andrea Polywka)
- Axel Berndt: "Deconstruction – Recombination – Order: Ein kurzer Werkbericht"
- Andreas Möllenkamp: "Living Data Labs: Infrastruktur(ierung) und Community-Building rund um Forschungsdaten"
- Sarah-Indriyati Hardjowirogo: "Sound/Technologien als Forschungsdaten. Herausforderungen einer offenen Soundkulturwissenschaft"
3:30 pm – 5:30 pm „Audio-/Visual Research Data" (Moderation: Martin Albrecht-Hohmaier)
- Lorenz Gilli: "Audiovisuelle und textuelle Forschungsdaten bei Musik- und Soundanalyse am Beispiel von EDM DJ-Sets"
- Sigrun Lehnert: "Auf der Spur des ‚Typischen‘: Wochenschau-Sound als Digital Humanities-Projekt"
- Kim Voss: "Akkorde und Algorithmen: Ein Projektbericht zur KI-gestützten Erschließung von DDR-Musiksendungen"
5:30 pm – 6:30 pm (only for onsite participants)
- Guided Exploration of the KIO-Labs
7:30 pm Evening Programme (only for onsite participants)
- Damian Dziwis: "Live Coding Concert – generative Komposition bis Algorave"
Fri., 07.02.
9:30 am – 10:30 am "CARE about (in)accessibilites“ (Moderation: Alexander Stark)
- Silke Reich & Dennis Friedl: "Metadatenstandards zur Beschreibung von Film(musik): Aufteilung & Integration"
- Barbara Alge: "Musikalische Ethnographien im Spannungsfeld von Open Access und CARE-Prinzipien“
11 am – 12:30 pm "AI – Potentials, Perspectives and Challenges" (Moderation: Vincent Fröhlich)
- Henrik Schuld & Birger Petersen: "Satztechnik und KI – Perspektiven für die Musiktheorie"
- Johannes Hentschel: "How Hard Can It Be? Ground truthing Fumi's Hardgroove set for beat inference"
- Oliver Vettermann: "Training Season – zum rechtlichen Schutz von Kunst und Künstler:innen"
12:30 pm – 1 pm: Wrap Up (Malte Hagener, Andreas Münzmay)
The event will take place on the grounds and with the support of KreativInstitut.OWL.
